January 31 - May 19, 2024

Paik on Stage

At Syracuse Stage, 820 E. Genesee Street Syracuse, New York

In salute to Syracuse Stage’s 50th anniversary, Point of Contact proudly presents this display of original works from its permanent collection, featuring pieces by the visionary Korean artist Nam June Paik. This exhibition commemorates the theatrical milestone of Syracuse Stage and the pivotal role that the City of Syracuse and the Central New York region played in spearheading innovation in the arts during the 1970s.

Central New York emerged as a dynamic hub during this transformative period, where artists were provided with unprecedented access to video technology. In collaboration with Syracuse University, the Everson Museum of Art, the Experimental Television Center of Binghamton, and a multitude of artists, a groundbreaking initiative unfolded, fostering innovation and exploration in the nascent field of video art. This collective effort laid the foundation for decades of creative expression and technological advancement.

Nam June Paik, a luminary in the realm of contemporary art, played a seminal role in this movement. Recognized as one of the most influential artists of the 20th century, Paik was among the pioneers who embraced video as a medium for artistic expression. His early work not only reflected on media and technology but also paved the way for a new artistic language, positioning him as the revered “father of video art.”

This exhibition is a celebration of our city’s rich legacy and its enduring commitment to the arts. Point of Contact is honored to contribute to this milestone by presenting works that not only highlight Paik’s presence and contributions to the Central NY arts scene, but also underscore the region’s integral role in the evolution of video art. As we salute the past 50 years of Syracuse Stage, we also look forward to the continued collaboration and exploration that will shape the artistic landscape in the years to come.

Five Screens: Mr. Paik why did you eat the Piano? (series)

2000

Screen prints, 11 x 44”

From Point of Contact: On Silence

Vol. 5, No. 2, 2001